The pen community is small and congenial, and up until now the desire to keep the peace has prevented most such confrontations. Yet given that sellers have been given ample notice (though it may be that many never bother reading or otherwise participating in the groups in which they hawk their wares) such an intervention is long overdue. As long as sellers are allowed to brazenly mislead buyers about the capabilities of vintage nibs without being publicly challenged, the destruction of old nibs will continue.
Vintage Pen News
A blog about antique and vintage writing instruments: fountain pens, mechanical (propelling) pencils, dip pens, and more.
Monday, March 18, 2024
More on the overflexing of vintage nibs
The pen community is small and congenial, and up until now the desire to keep the peace has prevented most such confrontations. Yet given that sellers have been given ample notice (though it may be that many never bother reading or otherwise participating in the groups in which they hawk their wares) such an intervention is long overdue. As long as sellers are allowed to brazenly mislead buyers about the capabilities of vintage nibs without being publicly challenged, the destruction of old nibs will continue.
Monday, February 12, 2024
Erasers for vintage Eversharp pencils
Friday, February 9, 2024
Touring Waterman's Newark factory
New Jersey: A Guide to its Present and Past, 1939, p. 335 |
I'm afraid we are a little late to book a group tour of Waterman's New Jersey factory. Would surely have been interesting. Waterman left it not long after the publication of the entry above, moving its Newark operations back to New York in early 1941 (an announcement that the move was pending appeared in the Brooklyn Eagle on September 11, 1940, p. 23). The Conmar Zipper Company and the Margon Corporation moved in shortly thereafter and stayed for decades. There are some reminiscences about Conmar posted in this Reddit thread; George A. Tice took the photo below in 1973.
Thursday, February 8, 2024
Waterman and Heath
It has long been known that Waterman purchased overlays from George W. Heath & Co. A number of early Watermans bear silver overlays with the Heath "H" mark, and though the mark is absent on later examples, the continuity of style and workmanship strongly suggests continuity of sourcing. The same pattern of marking is seen with other penmakers using Heath overlays, and it is reasonable to suppose that all eventually chose not to give their subcontractor free advertising -- especially as Heath began to manufacture and sell fountain pens under their own name around this same time. It is not known why the Heath mark only appears on the silver overlays and never on gold filled or solid gold examples, even though their common source is clearly evident.
Nearly ten years ago I wrote the following about Heath's operations from the mid-teens onwards:
While the company continued to offer items under the Heath name, by all evidence the bulk of its business lay in contract manufacturing. Quantity of surviving examples isn't always a reliable gauge of quantities produced, but in this case the contrast between the scarcity of Heath-branded pens and pencils and the size of the factory and workforce is too stark to ignore. I strongly suspect that Heath continued to be the prime supplier of high-quality overlays to the US fountain pen trade as long as overlay pens continued to be made. In particular, Heath was probably the maker of all of Waterman's overlays -- early electrodeposited fine silver examples a possible exception -- from around the turn of the century all the way to the end of overlay pen production at some point in the 1930s. Waterman often publicized its production methods, and in some detail, yet never in any of these accounts is there any mention of in-house manufacture of overlays.
This speculation about the company's later history must now be amended, as there is good evidence that Waterman was manufacturing overlays in-house by at least the beginning of the 1920s. This is found in the description of Waterman's newly completed and occupied factory in Newark, New Jersey, published in the American Stationer of March 26, 1921 on p. 11 (and subsequently republished in other periodicals, such as Pacific Ports, June 4, p. 158, and India Rubber World, August 1, 1921, p. 840). The factory was notable for both its size and the horizontal integration of operations, including ink production and the distribution of dealer display material. On the third floor was the "gold and silver mounting department" and on the second, the "chasing and ornamental mountings department" -- "mountings" being the contemporary term for what we call overlays (also used to denote trim bands, but in this context clearly referring to overlays as well). I have not been able to find any mention of such departments in earlier Waterman factories, but for now this should be taken as absence of evidence rather than evidence of absence.
What was Heath doing at this time? In my 2014 post I noted that "The later history of Heath is particularly obscure, with many of the usual online sources unavailable in volumes postdating the 'teens." Yet it was clear that the company was moving in new directions in the early 1920s:
The brothers were already diversifying . . . while they held a number of patents, the latest that has anything to do with writing instruments is US 1514965 (an extending pencil), applied for in 1922. All subsequent patents, starting with US 1605723, also applied for in 1922, are radio-related, and from the 1923 Newark city directory on, we find the Heath Radio and Electric Manufacturing Company ("radio parts and condensers") listed alongside George W. Heath & Co. at the same address.
While the (possibly older) company letterhead still proclaimed George W. Heath & Co. "Manufacturing Gold and Silversmiths" as well as "Patentees and Sole Manufacturers of Heath's "Tribune" Pencils and Fountain Pens" in a receipt dated October 26, 1923, the company had also placed a wanted ad a year before in The Iron Age seeking to buy a screw machine -- a large investment and a clear commitment to automated mass production.
In retrospect, my interest in Heath's overlay work led me to underestimate the extent of their pen and pencil manufacturing operations. It should have been clear that Heath was moving into manufacturing in a big way in the 1910s -- mass production, not artisanal hand work -- and I have recently found further corroboration of how early this started in the April 19, 1911 testimony of Hobart W. Geyer in the legal battle between Waterman and the Modern Pen Company, appealed all the way up to the US Supreme Court. On p. 1419 of the record, Geyer is asked, "Have you been in any factory during the last three years?" to which he answers, "I have been in Heath's several times in that time." "What kind of factory is it?" he is asked, to which he answers, "They make rubber holders and they make mountings." On the following day another witness, gold nib maker DeWitt C. Van Valer, also mentions Heath's factory in an exchange recorded on p. 1517. "When were you in Mr. Heath's factory?" "Within the past year." "Mr. Heath is a comparatively new man in the manufacture of rubber holders, is he not?" "I think he has been turning holders to my knowledge for the last four years, and may have been turning them before that." This lines up with the change in how Heath's business was described in directories of the time, from chasing and gold and silver novelties to fountain pens and pencils. This also lines up with the expansion of Heath's workforce and the move to a new factory in New Jersey in 1912. The demand for hand-worked gold and silver was declining, not growing: it wasn't the traditional bench jewelers leaving New York for New Jersey, but rather the manufacturing firms that required ample floor space for large machine tools and multistep production operations.
At this point we can only speculate about what happened in the 'teens and early 1920s, as Heath moved away from handwork and Waterman brought overlay manufacture in-house. I have found no record of workers moving from Heath to Waterman, let alone a formal transfer of a whole department. But skilled workers in the pen trade often moved from company to company, as is shown repeatedly in the testimonies cited above. And with Heath and Waterman's Newark factories only a little over a mile apart -- neither unionized -- continuing cooperation at some level can by no means be ruled out.
Tuesday, January 16, 2024
Please stop calling them "Continental safeties"
Once upon a time and long long ago, American collectors would occasionally come across safety pens with fancy overlays like the one shown above. They knew that these pens were European but not much more, so borrowing a usage from the antiques trade they started to call them "Continental" -- the umbrella term for furniture that was neither American nor British, but from somewhere in continental Europe. You don't see antiques called "continental" as much nowadays; the trade is more sophisticated and less insular, greatly reducing the need for catchall categories of this sort ("oriental" or "Asian" is another, much less used now with increased ability to differentiate between antiques from China, Japan, Korea, etc). And yet "continental" persists among pen collectors, even though English-speaking collectors have known for at least thirty years now that these fancy overlays are distinctively Italian and not generically European at all. This may largely be force of habit among older collectors, with the continuing influence of classic reference books a factor as well.
Let us finally retire "Continental" -- it is misleading and obsolete. Let us give credit where credit is due and call these pens what they are, which is Italian. No other country had so many independent workshops making such a variety of overlays, nor can the characteristic style and elaboration of these Italian overlays be mistaken for the product of any other European country. Not that French and German overlays aren't also distinct in design and style -- which is all the more reason not to lump them all together under the same catchall name.
Sunday, October 22, 2023
Unpacking "made on original Parker machinery"
There is a misconception among pen collectors regarding the claim that certain aftermarket pen parts were made on original Parker machinery. While the claim might be narrowly true, the use of an ex-Parker buffing wheel or drill press isn't what is called to mind. Rather, the implication is that the aftermarket parts were made in exactly the same way as the originals and to the exact same specifications. If we are talking about plastic parts, this they were not.
These parts were machined, not molded. Parker made them using automatic screw machines, which were large and very expensive programmable analog machine tools that could be configured to produce all sorts of parts. The size and cost (even used) of such machines made them utterly impractical for a small shop, along with the difficulty and expense of setting them up. They were only suitable for large-scale mass production, and nowadays have been almost entirely replaced by digitally-controlled CNC machine tools. Even if one were to gain access to an ex-Parker screw machine, it wouldn't be any different from one that had been used to make bicycle or clock parts. The machine itself wasn't what made the parts so much as its programming.
Friday, August 4, 2023
Plastic replacement cartridges for Eagle glass-cartridge pens
Completely by chance a small hoard of plastic storage vials came my way that turned out to be just the right size, requiring only to be shortened by 1/4 inch. Since their wall thickness is significantly less than that of the original glass cartridges, an original cartridge nipple is too small to fit.
The pen above was missing its original nipple so a new one of hard rubber was made to original dimensions. As an experiment, a retaining groove was cut so an O-ring could be installed to provide a seal. While the same could be done to an original nipple, leaving it intact would be far preferable. And, as I found out after further experimentation, far easier.
Sunday, June 25, 2023
Rendell and Fairchild revelations from the R. G. Dun collection
The R.G. Dun collection of 19th-century credit reports first came to my attention years ago with the publication of Barbara Lambert's A. T. Cross monograph (Writing History, 1996). Though housed nearby at Harvard's Baker Library it was only last week that I finally made my first visit. While I had been hoping to find new insights into the relationships between early manufacturers of fountain pens and pen parts, it turned out that the collection ends a few years too early to be helpful there. Where it proved to be most informative was in the span from the 1850s through the 1870s, the heyday of the dip pen.
As I am still learning my way around the collection -- the librarians have been unfailingly welcoming and helpful -- it will be a while before there are any proper writeups. Nonetheless, there have been enough fresh discoveries that it's worth sharing a few of them now.
The first entry in the Dun records that I have found for gold pen pioneer John Rendell is from 1855. His partnership with Leroy W. Fairchild was then less than three years old. While I had previously speculated that Fairchild had apprenticed with Rendell, it appears that Fairchild hadn't come to Rendell as a penmaker at all, but rather as a salesman and bookkeeper having been previously employed in that capacity by the stationery firm of William H. Arthur & Co. While the report praises both men only Rendell is described as "a practical pen-maker", while Fairchild's business and money management skills are cited as the mainstay of the business's success.
My previous efforts to find out when the Rendell & Fairchild partnership was dissolved were not successful. The Dun records, however, put the date of dissolution at the beginning of August 1857 with Fairchild buying out Rendell for $5400, partly in cash and with six months to complete payment. Rendell was to stay on as an employee for up to three years -- though as we know, he died only eighteen months later under tragic circumstances.
Thursday, June 8, 2023
Making safety pens yet safer
A customer was recently asking about safety pen leakage. A safety with good seals should be as leakproof as any fountain pen could be. That doesn't mean, however, that it can't leave a mess quite without any leakage. One example is how ink can end up spattering in tiny droplets when the nib is extended if there happens to be a film of ink spanning the barrel opening when the pen is uncapped, like the soap solution across a bubble-blowing wand.
My customer's issue was something a bit different, though. It seems it was a matter of ink sticking to the plug inside the cap. When the cap is tightened the plug is pressed firmly against the barrel mouth, as can be seen in the photos above and below. Yet as the closeup below shows, any ink that ends up sticking to the face of the plug is going to drip into the threads once the cap is removed and set on its side. And from the cap threads it will soon enough end up on the barrel threads and thence on the writer's fingers.
Monday, May 1, 2023
Research in progress: rewriting the history of the first retracting-nib safety pens
- The Caw's safety was introduced in 1895. Ads and imprints reference patent US533942 of 2/12/1895. No one seems to have remarked that the only claim in that patent is for the nib and feed arrangement. In fact, the pen shown is a sliding-action safety of the sort described in Moore's patent of 1896!
- The key patent for a safety with a turning internal helix was Peck & O'Meara's US523234 of 7/17/1894. And in 1895 the Horton Pen Company was just getting started after having acquired Peck & O'Meara's entire manufacturing operation -- including, it would appear, their patents. How could Caw's have gotten away with such a brazen infringement? The more I think about it, the more impossible it seems. Surely F. C. Brown was a licensee, though no mention of the Peck & O'Meara patent appears in Caw's ads, catalogs, or imprints. Seeing how Brown didn't lose an opportunity to trumpet all the patents he had (on later Caw's safeties the patent imprints run almost all the way around the barrel, headed by "F. C. BROWN PATENTS") I can only surmise that the flip side of this was an aversion to acknowledging any patents other than his own. [UPDATE: Upon closer examination, I can now see how Brown might have been able to evade the Peck & O'Meara patent at least in part by using a single-slot mechanism and a separate internal sleeve to carry that slot]
- It has been claimed that Caw's bought up all the assets of the Horton Pen Company after it failed. I can find no evidence of any such failure. Horton appears in New Haven city directories all the way through 1901, after which it was acquired -- but by Frazer & Geyer, not Brown. There are plenty of retailer ads for Horton pens through 1899 at least as well as other mentions indicating production overlapping with that of Caw's for several years.
- If Caw's was a licensee of Horton, as the notes above suggest, was Horton also supplying pens or pen parts to Caw's? Caw's was already producing the Dashaway so did not necessarily need a new subcontractor. On the other hand, making the safety spirals was something new. It may be significant that the interior structure of Caw's and Horton safety barrels is different, the straight tracks being cut directly into the barrel interior for the Horton, but cut into an inserted sleeve for the Caw's.
- Whether or not Horton was doing any manufacturing for Caw's, it does appear to have been doing so for Morris W. Moore during his short-lived effort at independent pen production, prior to selling out to Cushman. The evidence for this is just one pen: the unmarked safety that I shared in a private Facebook group a while back that is virtually identical to what is shown and claimed in Moore's first 1896 patent. There are a couple of construction details that differ from the patent diagrams but which correspond to peculiarities of early Hortons, including near-interchangeable caps.
- The one patent date that appears on Caw's safeties that doesn't reference one of Brown's inventions is Sep 8, 1896 -- the date of the two Moore patents assigned in part to F. C. Brown. It is likely the second that was actually used, which claims a tapered rather than a cylindrical barrel mouth bore. This raises the question of what relationship Brown had with Moore at the time that the 1896 patent-style pen was made (which could have been as early as late 1894). Did Brown provide any sort of assistance to Moore? Or was it nothing more than Brown paying Moore for patent rights?
- It has also been claimed that Waterman acquired or licensed patents belonging to F. C. Brown for their own safeties. I can find no evidence for this, and it is noteworthy that no such patents are referenced in Waterman safety imprints where one would expect them.
- It has been claimed that Caw's patent US612013 of 1898 was for the helical retraction mechanism, and that this patent was sold to Waterman. Except that's not what the patent claims: it is solely for an improvement to such mechanisms, where the driving peg is equipped with a rolling bearing to reduce wear.
- The Nichols patent of 1903, referenced on the caps of older Wateman safety pens, doesn't seem to contain much that is novel aside from the inner cap plug closure.
- Possible missing-link or offshoot models that I don't own but would like to be able to acquire or examine: Phelps Safety; Lincoln Safety; Atlantis.